Online shopping from a great selection at Movies & TV Store. Even when the mystery is solved at the end, you really don’t know what the heck is going on — but by then you’re just happy it’s over. Some praised the actors for their plausible hand-sync during performance sequences, but that’s about the best thing you can say about the film. It can make you bawl over the death of a dog, feel you’re genuinely on board the Titanic or evoke precisely the melancholy of a small town in the Deep South. Geoffrey Rush won an Oscar for his brilliant portrayal of Helfgott, who in the wake of the film’s release experienced brief fame. Henreid fakes his cello-playing rather well compared to Davis’ lame attempt at Beethoven’s Appassionata. This visual and aural feast features enough of Mozart’s music to remind us of its greatness but not so much that we forget that it’s a movie we’re watching, and not a filmed concert. But when it comes to making films about classical music, it’s time to drag out every moth-eaten cliché about suffering artists, the nature of genius, and the vicissitudes of a life devoted to “high art.” From the high-falutin’ Warner Bros. potboilers of the 1930s and ’40s to the casting of Ed Harris as a vulgar, Bronx-cheering Beethoven, the movies have shown a dismaying tendency to falter when it comes to depicting an art form that, ultimately, few in the film industry really understand. Ulrich Mühe, who plays the agent, was one of East Germany’s great actors, but few outside the GRD knew of his gifts before this film; he died the year after its release, at age 54. If you really love Gould, go online and find several DVDs of the Canadian genius himself, talking, pontificating and performing. ♪♪♪  Running on Empty (1988). Haydn Cello Concerto in C, 3rd movt -- Hilary and Jackie Piano concerto no. In his lifetime Haydn achieved a degree of fame that easily surpassed that of Mozart and Beethoven. ), ♪  Mr. Holland’s Opus (1995). Can you possibly guess? ♪♪  Impromptu (1991). It’s a dour story of the de-nazification of the conductor Wilhelm Fürtwängler, with Harvey Keitel as the one-dimensional American military officer charged with determining what should happen to him. Curiously, it’s one of the best performances of Crawford’s career, almost as if she found the role “close to home.” The splendid violin playing on the soundtrack is that of a youngish Isaac Stern — the big, bold sound virtually leaps out at you — whose hands you actually see in some close-ups. Joseph Haydn was a prolific composer of the classical period.He is regarded as the "father of the symphony" and the "father of the string quartet" for his more than 100 symphonies and almost 70 string quartets.Haydn also produced numerous operas, masses, concertos, piano sonatas and other compositions. I can’t comprehend the acclaim that greeted this film, except to say that film critics are generally as daft about music as Hollywood is. David Haydn-Jones landed his very first professional role in 1999 in the Fox sitcom, Melrose Place. The situation of artists who stayed in Germany during the Nazi period is perhaps more complex than this movie seems willing to take on: If anything it fails to explore adequately the nature of the musical values Fürtwängler felt were more important than politics — or that he hoped, however misguidedly, could serve as a counterfoil to Nazism. Another torchy melodrama with Leslie Howard as a married concert violinist and Ingrid Bergman as the young accompanist with whom he falls deeply in love. Wittingly or not, this film diminishes Beethoven considerably, by making him into a platitude-spouting boor whose scores are sometimes “corrected” by his pretty young (female) copyist. Sadly, everything is hyberbolic and over-the-top, and after 130 minutes of globe-trotting spanning three centuries, one’s nerves are fried. The most deliciously melodramatic of Warner Bros.’ music-themed potboilers, this tawdry tale features a commanding performance by Claude Rains as an egomaniacal composer and domineering teacher. There is much not to like here: The incestuous sexual aspect I found distasteful, not to mention gratuitous, and the horrific portrayal of Handel’s character is mean-spirited. Slow-paced but an aural and visual treat, it’s a film that shows that 18th-century musicians were often emotional wrecks, too. The events portrayed might be reasonably historically accurate or might be fictionalised to some degree. Devon Carney’s great affection for classical ballet stands front and center in his lovingly choreographed Swan Lake, which the Kansas City Ballet introduced here in 2016 and is currently revisiting.…, FEBRUARY 7-9  Kansas City Symphony; Zukerman Plays Beethoven’s Violin Concerto; Michael Stern has invited the great American artist to help inaugurate the Symphony’s dual celebration of Beethoven’s 250th birthday and…, Carl Orff’s Carmina Burana lends itself to the stage partly, perhaps, because the composer actually intended it to be performed as a sort of theatrical pageant, with sets, costumes, and…, Even the oddest of retellings of Mozart operas can make for a satisfying evening if the peerless music is executed beautifully enough. The definitive site for Reviews, Trailers, Showtimes, and Tickets The school’s cruel headmaster becomes jealous of the boys’ affection for the music teacher and does everything he can to jeopardize the choir’s success. Sidney Lumet’s direction is at its best here and the performances make a seemingly implausible script surprisingly compelling. It’s what Mr. Holland’s Opus might have been if it hadn’t been produced in Schlocktown, U.S.A. ♪♪♪½  The Pianist (2002). The sitcom focused on a bunch of young adults living in a block of apartments known as Melrose Place. Sep 20, 2005 DVD Joseph Haydn was one of the great composers of history, known as both "Father of the Symphony" and "Father of the String Quartet". ♪♪½  Deception (1946). Richard Dreyfuss lends class to this rambling epic, as do Olympia Dukakis as the school principal and William H. Macy as the square, stern, flat-top-wearing vice principal. He helped establish the forms and styles for the string quartet and the symphony. ♪♪  The Soloist (2009). Established in 1899, The Independent is Kansas City’s longest-running magazine. This ambitious and beautifully produced epic traces the life of a mysterious fiddle that has supernatural and not entirely benevolent powers over its owners. Typical for music-themed films of early Hollywood, this biopic is as much fabrication as fact and features a wildly miscast lead: burly, macho Cornel Wilde as the frail Frédéric Chopin. Despite all good intentions, though, the film’s humor is strained, and musical numbers go on so long that you begin to feel you’re being “educated.”. Judy Davis is a whimsical Sand, Hugh Grant an ironically tenderhearted Chopin — who even joins the others in making jokes about his own tuberculosis. This list provides details of cinematic portrayals of composers as characters in film.. A composer may be the main subject of a film, or a less important character. Paul contributes to national publications, including Dance Magazine, Symphony, Musical America, and The New York Times, and has conducted scholarly research in Germany, Austria and the Czech Republic (the latter on a Fulbright Fellowship). ♪½  Thirty-Two Short Films about Glenn Gould (1992). 2012 Hayden Panettiere: Telescope (Video short) Hayden Panettiere. As you might expect, the results vary from film to film, and despite some virtuosic directorial technique the overall effect is underwhelming and incomplete. There have been bright spots, though, and to help classical fans while away the late summer evenings we’ve compiled a list of worthy titles — films that “get” this music, that find threads of meaning and truth in the midst of all the furrow-browed pretentiousness. Ten leading directors were commissioned to direct short films, each inspired by a different aria or other operatic number. Or did they? ♪♪♪♪  The Lives of Others (Das Leben der Anderen, 2006). Hayden Panettiere. Delightfully offbeat, and one of the hippest films of the 1980s, this French thriller involves the confusion of two tapes — one that can implicate a corrupt cop and the other a clandestinely taped performance of an American opera singer who eschews commercial recordings. It’s hard not to have mixed feelings about this film, which at times depicts 18th-century Europe with considerable accuracy but sensationalizes the life of the famous Italian castrato Carlo Broschi (called Farinelli). Jones has also worked in other TV shows and movies such as The Fiddling Horse, Mistresses, Taken, … Cello (2005). The new music teacher (Jugnot) at a school for delinquent boys finds that several of his students have fine voices, and he forms a choir with which he is able to focus their energies and, ultimately, instill not just discipline but a love of music. 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