Dolores del Río ("Red Dance", Raoul Walsh, 1928). [74][123] In 1982, she was awarded the George Eastman Award, given by George Eastman House for distinguished contribution to the art of film.[124]. Her first production in Mexico City was Oscar Wilde's Lady Windermere's Fan, which she had made as a film in Argentina a decade earlier. In Spain Dolores danced again in a charity show for wounded soldiers in the battle of Melilla. In 1960 she returned to Hollywood. [110], Mexican filmmaker Emilio Fernández was one her admirers. [25][26], The film director Raoul Walsh called del Río to cast her in the war film What Price Glory? [75][82] After dying, she was cremated and her ashes were moved from the United States to Mexico where they were buried at the Panteón de Dolores in Mexico City, Mexico,[75] specifically on The Rotunda of Illustrious Persons. Both homes became a meeting point for personalities like Diego Rivera, Frida Kahlo, María Felix, Merle Oberon, John Wayne, Edgar Neville, Begum Om Habibeh Aga Khan, Nelson Rockefeller, the Duke of Windsor and Wallis Simpson, Princess Soraya of Iran and more. After her death, her photo archive was given to the Center for the Study of History of Mexico CARSO by Lewis Riley. "[36] Eventually, she canceled her contract with him. The script of this film came to her in error, because of a confused messaging. The film gathers a successful film crew consisting of Fernandez, the cinematographer Gabriel Figueroa, the screenwriter Mauricio Magdaleno and del Río and Pedro Armendariz as the stars. Even legends have to go sometime—but trust Dolores del Rio to do it better than everyone else. Nach Ballettunterricht am Konservatorium in Mexiko-Stadt, und später auch in Europa ging del Río 1925 zum Film nach Hollywood und debütierte in Joanna von Edwin Carewe. The film was directed by Sergei Eisenstein, and was accused of promoting Communism in California with nationalist sentiment and socialist overtones. She played Madame du Barry in the motion picture of that name. Mexican writer Salvador Novo became the translator of her plays. [120], In 1978 the Mexican American Institute of Cultural Relations and the White House gave Dolores a diploma and a silver plaque for her work in cinema as a cultural ambassador of Mexico in the United States. [134] Other authors who wrote her poems were Xavier Villaurrutia, Celestino Gorostiza and Pita Amor. I'm in love with her as 40 million Mexicans and 120 million Americans who can't be wrong". [83] It is said that the day she died, an invitation to attend the Oscars was sent to her. [41] When she regained her health, she was hired exclusively by RKO Pictures. My ambition is to show the best that's in my nation. [31], Although her career blossomed, her personal life was turbulent. Dolores del Río, pseudonimo di Dolores Martínez Asúnsolo y López Negrete (Durango, 3 agosto 1905 – Newport Beach, 11 aprile 1983), è stata un' attrice e ballerina messicana interprete di numerosi film prettamente a sfondo esotico e di avventura. The differences between the couple emerged after settling in Hollywood. Carewe was determined to have her, so he invited the couple to work in Hollywood. She was important to the Golden Age of Mexican Cinema during the 1940s and 1950s. The film is based on the novel of the Spanish writer Jacinto Benavente. Around the same time, the Italian filmmaker Francesco Rosi invited her to be part of the movie More Than a Miracle (also 1967) with Sophia Loren and Omar Sharif. The film, considered a masterpiece today, caused a media scandal by directing open criticism against the media magnate William Randolph Hearst, who began to boycott Welles's projects.[56]. Vélez wore spectacular costumes, but never reached del Río's supreme elegance. She played Sharif's character's mother. Diese Seite wurde zuletzt am 23. The doctors recommended long bed rest. [29] Due to the success of the film, Fox quickly began shooting The Loves of Carmen (also 1927), also directed by Raoul Walsh. [14], Her family lost all its assets during the Mexican Revolution (1910–1920). She looked beautiful". Probably yes, but she was right. But during the filming of Evangeline, United Artists convinced del Río to separate herself artistically and professionally from Carewe, who still held an exclusive contract with the actress. [89][90] Larry Carr (author of the book More Fabulous Faces) said Del Río's appearance in the early 1930s influenced Hollywood. [127][128][129], In 1970, the Instituto Nacional de Bellas Artes y Literatura, the Mexico's Screen Actors Guild, the Humane Society of the Artistic Treasures of Mexico and the Motion Picture Export Association of America paid her a tribute titled Dolores del Rio in the Art in which her main portraits and a sculpture by Francisco Zúñiga were exhibited. [64] She was invited by the film director John Ford to play the role in an adaptation of the novel The Power and the Glory by Graham Greene. Jaime had been educated in England and had spent some time in Europe. She began to listen with interest to theatrical offerings. Dolores del Río; Kawsaymanta qusqakuna; Paqariy sutin: María de los Dolores Asúnsolo y López Negrete Paqarisqa: Durango, 3 ñiqin ayriway killapi 1905 watapi Wañusqa: Newport Beach, California, 11 ñiqin ayriway killapi 1983 watapi Qusan Lew A. Riley Jr. Cedric Gibbons (1930 - 1941) Jaime Martínez del Río … On 3 August 2017, the 113th anniversary of her birth, Del Río is one of the Mexican celebrities honored in a cameo in the, This page was last edited on 21 January 2021, at 13:54. Der Film war wenig erfolgreich und sie drehte einige Jahre gar nicht. She behaved like a princess. [62] Del Río plays twin sisters in the film La Otra (1946), under Roberto Gavaldón's direction. From the late 1950s until the early 1970s she also successfully ventured into theater in Mexico and appeared in some American TV series. [69], In 1956, her political situation in the United States was resolved. In the early 1940s, when her Hollywood career began to decline, Del Río returned to Mexico and joined the Mexican film industry, which at that time was at its peak. Critics said that del Río could speak and sing in English with a charming accent. Dolores del Rio was the one of the first Mexican movie stars with international appeal and who had meteoric career in the 1920s/1930s Hollywood. The Asúnsolo family decided to escape. 14.04.2019 - Erkunde R Prokopievas Pinnwand „Dolores del rio“ auf Pinterest. Margarita Guzman assists with a sense of calm. She was the first woman to sit on the jury.[74]. For this work she won her second Silver Ariel Award for Best Actress. Tuvo una carrera excepcional que duró más de 50 años en el cine estadounidense en los veinte y treinta. In 1924, the couple returned to Mexico. Estuda os cursos de extensión universitaria da Normal de Mestras en 1912 e 1913. Subsequently, they filmed María Candelaria, the first Mexican film to be screened at the Cannes International Film Festival where it won the Grand Prix (now known as the Palme d'Or) becoming the first Latin American film to do so. In the Mexican revolution of 1916, however, the family lost everything and emigrated to Mexico City, where Dolores became a socialite. They decided to live on Jaime's ranch in Durango, where cotton was the main crop. [116], On January 8, 1970, she, in collaboration with other renowned Mexican actresses, founded the union group "Rosa Mexicano", which provided a day nursery for the children of the members of the Mexican Actor's Guild. and Mexican telenovela Ven Amigo. And then, the vulgar and picturesque stereotype, so damaging because it falsities our image, will disappear naturally. The film was released in March 1934 and was a success for Warners. What has not been said is that she had a privileged smooth skin, a beautiful brown color and a body really perfect". 1933 spielte sie in dem Musical Flying Down to Rio eine Brasilianerin und wurde im Vorspann noch vor Fred Astaire und Ginger Rogers, die hier ihr Debüt als Leinwandpaar gaben, angekündigt. Del Río gained good notices for her portrayal of Raymunda, a woman confronted by her own daughter for the love of a man. She then persuaded her mother to allow her to take dance lessons with the respected teacher Felipita Lopez. Página tributo dedicada a Dolores del Río / Tribute page dedicated to Dolores del Río "[42] Bird of Paradise (1932) was shot in Hawaii and del Río became a beautiful native. She was a Hollywood star in the 1920s and 1930s, and one of the most important womanly figures of the Golden Age of Mexican cinema in the 1940s and 1950s. Unzufrieden mit den Rollenangeboten kehrte sie danach nach Mexiko zurück, wo sie die nationale Filmindustrie mitaktivierte und für weitere 25 Jahre als einer der Topstars des nationalen Kinos galt. Dolores del Río, née María de los Dolores Asúnsolo López-Negrete le 3 août 1905 à Durango ( Mexique) et morte le 11 avril 1983 à Newport Beach ( Californie ), est une actrice mexicaine . Riley was known in the middle of Hollywood cinema in the forties for being a member of the Hollywood Canteen, an organization created by movie stars to support relief efforts in World War II. The couple began a romance and finally married on August 6, 1930. She won the Silver Ariel (Mexican Academy Award) as best actress for her role in the film. Of them stands out the critically acclaimed María Candelaria (1943). Nachdem die Schauspielerin sich zunächst geweigert hatte, in Tonfilmen aufzutreten, gab sie schließlich 1930 ihr Tonfilmdebüt in The Bad One. Del Río was contracted by Carewe as her agent, manager, producer and director. Dolores del Río wurde in eine sehr vornehme und alteingesessene Familie geboren. I felt the need to return to my country. I wish to choose my own stories, my own director, and camera man. On 29 March, at Mary Pickford's bungalow, United Artists brought together Pickford, del Río, Douglas Fairbanks, Charles Chaplin, Norma Talmadge, Gloria Swanson, John Barrymore, and D. W. Griffith to speak on the radio show The Dodge Brothers Hour to prove they could meet the challenge of talking movies. The first is a statue located in the second section of. Del Río's character grew, while the character of Kay Francis, the other female star of the film, was reduced. Félix meanwhile, received the script for Dizziness (1946), a film originally created for del Río. Del Río remained active mainly in Mexican films throughout the 1950s. [121], At the age of 76, del Río appeared on the stage of the Palace of Fine Arts theater the evening of October 11, 1981 for a tribute at the 25th San Francisco International Film Festival. Dolores Del Río nació el 3 de agosto de 1905 en Durango. In 1930, del Río met Cedric Gibbons, an art director at Metro-Goldwyn-Mayer and one of the most influential men in Hollywood, at a party at Hearst Castle. When the film was completed in January 1945, del Río announced that she would never again work with "El Indio" Fernández. Nelson Rockefeller, in charge of the Good Neighbor policy (and also associated with RKO through his family investments), hired Welles to visit South America as an ambassador of goodwill to counter fascist propaganda about Americans. The film contained dance numbers and Berkeley focused on her glamour with a sophisticated wardrobe. Sonst würde die bezaubernde Mexikanerin Dolores del Rio sich nicht dazu hergeben, in einem Film wie Caliente mitzutun. Carlos Monsiváis and Jorge Ayala Blanco also made her a tribute book on the occasion of the Ibero-American Film Festival of Huelva, in 1983. Her career flourished with success in films such as Resurrection, … Del Río came to be considered a sort of feminine version of Rudolph Valentino, a "female Latin Lover",[8][9] in her years during the American "silent" era. Del Rio came from an aristocratic family in Durango. At this party, she met Jaime Martínez del Río y Viñent, son of a wealthy family. Dolores del Rio, 1935 Dolores Asúnsolo y López Negrete de Martínez del Río, genannt Dolores del Río, (* 3. #doloresdelrío #reddance #raoulwalsh #hollywood #classichollywood #cine #film #silenthollywood #silentfilms #cinemudo #1920s In 1978, she was diagnosed with osteomyelitis, and in 1981 she was diagnosed with hepatitis B following a contaminated injection of vitamins. If I achieve this it will be the height of my artistic ambition and perhaps I'll give a small glory for Mexico. Offended and outraged, del Río decided to end her relationship with Welles through a telegram that he never answered. Trotz ihres starken Akzents drehte die Schauspielerin bis 1942 weiter in den USA, zuletzt neben Joseph Cotten die weibliche Hauptrolle in Von Agenten gejagt unter der Regie von Orson Welles. But the prestige of del Río was known and respected, and Vélez could not ignore this. Die Schauspielerin war von 1929 bis 1941 mit Cedric Gibbons, dem Chefdesigner von MGM verheiratet. Childhood, family and first marriage (1904–24), Transition to sound and second marriage (1930–43), Return to Mexico and continued success (1943–59), Final roles and return to Hollywood (1960–78). In 1954, Dolores received her at her home in Acapulco. In the 1920s, del Río was also embodied in the canvases of Mexican painters Roberto Montenegro and Ángel Zárraga. Dolores del Río (Spanish pronunciation: [doˈloɾez ðel ˈri.o]; born María de los Dolores Asúnsolo y López-Negrete; August 3, 1904[1][2] – April 11, 1983) was a Mexican actress, dancer and singer. "[111], The house of del Río at Coyoacán was called "La Escondida", and she also spent her days in Acapulco. Del Rio came from an aristocratic family in Durango. She confirmed her decision later when she witnessed the performances of Antonia Mercé "La Argentina" in Mexico City. [101] This was her last known public appearance. Carewe convinced Jaime, saying he could turn his wife into a movie star. When Dolores Del Río met American filmmaker Edwin Carewe, her talent was so captivating that he convinced her to move to California. April 1983 in Newport Beach, Kalifornien), war eine mexikanische Filmschauspielerin. [80] Her last Mexican film, Casa de Mujeres (1967). In Mexico, she had the enormous fortune that filmmaker Emilio Fernández emphasized Mexican indigenous features. [75] She also suffered from arthritis. [citation needed], In 1941, del Río was also portrayed by the famous Mexican muralist José Clemente Orozco. [62] Félix said in another interview: "Dolores del Río was a great lady. Both films were box-office failures. Her portrayal of an overprotective mother with a mental instability attracted critical acclaim and she was honored with her third Silver Ariel Award.[68]. 1983 w Newport Beach) – meksykańska aktorka filmowa i telewizyjna, pierwsza latynoska gwiazda filmowa.Trzykrotna zdobywczyni nagrody filmowej Ariel, nazywanej "meksykańskim Oscarem" The American television series Who'll See the Children? Del Río never imagined that said document would point her out again as a supporter of international communism. —Del Río commenting about her role as a Mexican woman in Hollywood. [45] But after the premiere, RKO were worried about their economic problems and decided not to renew del Río's contract. The book contains an essay by Monsiváis entitled Responsibilities of a face. Seen in her dining room. Considered the first major Latin American crossover Hollywood star, she would pave the way for generations of actors to follow. In 1954, del Río was slated to appear as the wife of Spencer Tracy's character in the 20th Century Fox film Broken Lance. [61], Del Río filmed La selva de fuego (1945) directed by Fernando de Fuentes. Abrëll 1983 zu Newport Beach a Kalifornien, war eng mexikanesch Schauspillerin. In order to eclipse her, he filmed a new sound version of Resurrection starring Lupe Vélez, another popular Mexican film star and alleged rival of del Río. However, despite the popularity of the three stars, the film was a failure. [42] The film was severely mutilated by censorship and was not the success which had been anticipated. Gibbons designed the interiors of the house. D'Dolores Asúnsolo y López Negrete de Martínez del Río, genannt Dolores del Río, gebuer den 3. [95][96][97], Irish-British playwright George Bernard Shaw: "The two most beautiful things in the world are the Taj Mahal and Dolores del Río". [18] The couple decided to settle in Mexico City. The meeting of the two actresses, considered the main female stars of Mexican cinema, was a success at the box office. [91] She is also considered the pioneer of the two piece swimsuit. She [was] refined, interesting, soft on the deal, and I'm more energetic, arrogant and bossy". 1975 erhielt sie in Anerkennung ihrer 50-jährigen Filmkarriere den „Premio Especial“, ein Ehrenpreis des mexikanischen Filmpreises Premio Ariel. Talk about a glamorous exit. She was a suitable star for the talkies.[38]. Del Río starred in Doña Perfecta (1951), based on the novel by Benito Perez Galdos. [98], Fashion designer Elsa Schiaparelli: "I have seen many beautiful women in here, but none as complete as Dolores del Río! [76] and they produced numerous theater projects featuring del Río. [115] In 1966, del Río was co-founder of the Society for the Protection of the Artistic Treasures of Mexico with the philanthropist Felipe García Beraza. The trauma of a miscarriage added to the marital difficulties and del Río was advised not to have children. The role of her daughter was played by actress Columba Dominguez. (13 April 1983). Stop being a star and become an actress, and that I could only do in Mexico. Weitere Ideen zu filmstars, schöne hintern, vintage hollywood. Dolores Asúnsolo y López Negrete de Martínez del Río, genannt Dolores del Río (3. Unfortunately, when the artist painted the portrait he was already losing his sight. In spite of this settlement, Carewe started a campaign against her. Furious, Carewe filed criminal charges against Dolores. In the film del Río plays the role of Carlotta De Silva, a vamp of Spanish-Brazilian origin, but she appeared for only five minutes. The "unanimous choice" of these selective arbiters of female beauty was Del Río. [49], In the same year, del Río, along with Ramón Novarro and Lupe Vélez, attended a special screening of the Mexican film ¡Que Viva México!. Durango aristocratic families were threatened by the insurrection that Pancho Villa was leading in the region. [53], Amid the decline of her career, in 1940 Dolores met actor and filmmaker Orson Welles at a party organized by Darryl Zanuck. rororo Filmlexikon. [50], Warner called her again to star in another musical comedy called In Caliente (also 1935), where she plays a sultry Mexican dancer who has an affair with the character played by Pat O'Brien. Tonfilmen aufzutreten, gab sie schließlich 1930 ihr Tonfilmdebüt in the Golden Age of,. 1970S she also successfully ventured into theater in Mexico City, where became. Film star and become an actress, it is beautiful end her relationship with Welles, the of... Error, because of a confused messaging project and she did it in style. 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